So
you're making progress. Got power chords and barre chords down,
cracking on with major and minor pentatonic scales and starting to
pick up speed and accuracy with sequencing ideas, maybe a few string
bends here and there and nailing the legato approach through hammer
ons and pull offs.
But
here's the problem. All that stuff sounds brilliant in your bedroom
and it's great fun watching your fingers wiggle around like crazy,
but when it's time to get up and strut your stuff it just.. doesn't
happen. There's a disconnect there.
This
is where the incredible wealth of guitar music and guitar education
can actually work against you. With so much... stuff.. on
offer, it's really hard to work out what you should be learning,
where you should go first. For example, I had a student a few years
ago who had decided he was going to learn the classic Van Halen solo
“Eruption” for a talent show.
In
two months time.
Never
having played guitar before.
Mm.
What
could possibly go wrong...
So,
in this instance, unfortunately I had to talk him down. Short of
downloading the skills straight into his brain, a la Matrix, there
was no way that was going to happen. So, let's follow the path back
through history.
Eddie
Van Halen has stated many times in interviews that one of his biggest
influences is Eric Clapton. In many ways, he sees himself as having
taken Clapton's legacy and built on it, evolving the techniques
employed by him and his contemporaries (in fact, EVH once said he
first got inspired to develop his iconic tapping technique when he
learnt the solo to Led Zeppelin's “Heartbreaker” and wanted to
find a way to make Jimmy Page's cascading pentatonic licks move
around the fretboard). Now, in turn, Clapton drew his influences from
the first generation of blues guitar heroes – chief amongst them,
one B.B. King.
Now,
as regular readers of this blog will know, B.B is also one of my
heroes, but his style is very much minimalist as far as technique
goes. There are very few notes, but each one is perfect.
Elegant, deft phrasing, with that instantly recognisable vibrato, but
there are plenty of his solos that a rookie could get down with a
couple of month's (disciplined and intensive) practice. And in doing
so, learn an awful lot about taste, phrasing, timing and feel. And
once you've got the King down, try out his brothers – Albert and
Freddie. And then through to the 60's – Clapton, Page, Beck and
Hendrix...each generation building on the shoulders of the last.
There's
a parallel to be found here with martial arts. As the student works
his way up by levels, he learns discipline to partner the techniques.
So by the time he's learned how to punch through a man's chest, pull
out his heart and show it to him before he dies (that is a real
thing, right?), he'll have the discipline not to do it unless he
really has no alternative. In the same way, a student who has
followed the chronological development of guitar playing won't simply
throw in sweep picking or tapped licks arbitrarily, they will evolve
those techniques into their style organically, pulling them out when
and only when the musical situation demands it.
So
– the moral of the story? You want to play like Avenged Sevenfold
(or whoever) – go find out who they listened to. Then find out who
those guys listened to. Then – well, you get the gist. With all
that you learn along the way, not only will you be better able to
emulate your heroes - you'll be better able to create something of
your own too.
