Showing posts with label drums. Show all posts
Showing posts with label drums. Show all posts

Friday, 11 October 2019

Composition For Dummies Pt. 3 – The Recording (First Part - Guide Track, Drums and Bass)


So the time has finally come to “do the demo”! You've got music, lyrics, you're really feeling like you've got something a bit special and you're desperate to go about committing it to tape (well, hard drive).

Thing is – how do you actually go about it? Quite often, you actually find that your ideas aren't 100% fully formed, and nor can they be – you need to hear them to work out what needs editing, tweaking, moving, shortening, lengthening etc. Many times, you'll find that what worked in your head doesn't quite work when you hear it played back.

This is where the guide track comes in. This is going to be just you with a simple rhythm guitar (or piano, or whatever you've written the song on) along with ideally a rough vocal. The vocal doesn't need to have finished lyrics, or indeed any lyrics – what you're doing is find where the melody is going to be, as all your other parts need to be arranged with the idea of supporting that melody.

Now, if you're recording using a computer based set up running software like Logic, Pro Tools or (my personal choice) Cubase, you can actually see the waveform of the track, and this lets you sort out the structure. You can make virtual cuts to delineate verse, chorus, bridge etc. and “paint” those sections different colours, which makes rearranging things far easier. You can experiment with (for example) maybe cutting the length of the second verse and lengthening the chorus. Maybe a bar's break before coming in with the guitar solo for a bit of extra impact.. these are all ideas that you can experiment with before settling on the perfect song structure.

Once you've got your structure, I like to re-record the guide to make everything a little more organic and even sounding, and then it's time to get recording in earnest.

First up, drums. I'm fortunate enough to have a small electric kit which allows me to send MIDI pulses straight to Cubase to activate the drum samples, and for any project studio I would really recommend one. Don't worry about it's built in sounds, you're using it to trigger samples so as long as you've got MIDI out you're in business. Certainly, I've found learning the basics of playing drums a damn sight easier than programming drum machines!

Once the drums are done, I go in and tidy them up (there's a reason I'm not a drum teacher...) quantising and clearing up any mistakes, adjusting dynamics etc. Another good trick is to duplicate the drum track twice – the first one I wipe everything but the kick drum, set the EQs and compression (most audio software has good presets to help with this), the second track is just snare with EQ, compression and usually a decent chunk of reverb. Reverb is something that's nice on a snare but you really don't want on a kick, and the original track I treat as an “overhead”. Now you've got dedicated kick, snare and overhead – professional engineers will often mic each drum individually and treat them as such along with an overhead, but I don't tend to have the patience for that.. one day!

With drums down, alongside your rerecorded guide track, the next step is bass. When working out a bassline I like to make sure I've got the kick drum heavily boosted in my headphones as root note + kick drum is really the basis for any bassline, and quite often it can be all you need – less is very often more in this regard. Lay back and try and play as behind the beat you dare, because most of us have a tendency to speed up as we play and this can often impart a “nervous” feel to the track. You really want your timing to be rock solid here to build a solid foundation along with the drums.

With the bassline recorded, compression is a good idea to ensure a tight punchy sound. Check your EQ to make sure it's not boosting the same frequencies as the kick drum – you want your boost close but not overlapping as otherwise you'll have a messy low end as both instruments compete for the same frequencies. Panning is not really something that works down in these low registers, and neither is reverb, so make sure you've got your EQ together to ensure the bottom end, the foundation of your track, is nice and clear.

Right, with a solid foundation for your track, next month we'll take along at building up textures with the guitars and keyboards! See you then, and don't forget TUNEICEF LIVE! Sunday December 15th at the Cask Bah in Loughborough.

Monday, 9 November 2015

#TUNEICEF 2015

It's that time of year again! After 2013's Songs For Syria project and last year's Winter Wonderland album, we've been firing up Cubase and hitting social media to promote this year's TUNEICEF 2015 charity album.

So, if you're not familiar with the idea, let me give you the gist of it:

The basic idea is that each student writes a song, we record it here at the studio with bass and keyboard parts added by my bass and keyboard students, with drums and vocals added by guest artists where necessary. Along the way, students learn how to use all the theory and technique they've accumulated in a practical context – layering up guitar parts, composing solos, learning about arrangements, harmony and so forth – and then end up with an actual tangible accomplishment they can point to. It's also a good indicator of progress – listening to students tracks from the last two years and comparing them to this year's, it's great to hear how much they've improved.

Last year we expanded the idea to include local (and not so local) guest artists giving us a huge range of styles – probably the only album in history to feature a track with guest vocals from former Iron Maiden and Wolfsbane frontman Blaze Bayley alongside a track sung by a seven year old girl! Lots of great music, lots of talent on display – lots of work gone into it but lots of fun got out of it.

The album launched online courtesy of Bandcamp, with a night of live music with performances from students, guest artists and finished up with Dave The Rock Band's set of crowd pleasers, raising well over £100 for UNICEF – not a bad evening!

Special thanks must go to (among others):

My Dave The Rock Band comrade-in-arms, Matt Chubb for many, many great vocals, along with a huge amount of promotion and organisation work.

Elisabeth Barker-Carley from Dreaming In Colour Productions for organising the launch party

Tony Wadsworth and BBC Radio Leicester for having us on his show and helping plug the project, Steve Ward for some excellent drums, DaveThe Rock Band, Charlotte Bond for some great lyrics and vocal performances, The Bench That Rocked, Jonezy, Matt Humphries and each and every one of my students for creating something really special!

So what have we learned for this year?

Shorter name! “Winter Wonderland Charity Album” is all well and good, but on Twitter you're limited to 140 characters – that's half of them gone in the name!

Timeframe – this year, we've left plenty of time, tracks are already coming together with guest vocal and drum performances. I'm encouraging students where possible to experiment with other interests – there are several tracks where the same student has written the song, tracked up the guitars, the bass, and the keyboard parts.

Social media – This year we have a website, a Facebook page, a Twitteraccount and a hashtag #TUNEICEF... hopefully, between all these outlets and what elements of the conventional media we can harness (as well as the clout of UNICEF themselves) we can really generate some interest.
So, here's the deal – we don't need to crowdfund or get a Kickstarter or anything like that. We don't have overheads. 100% of the proceeds go to UNICEF – a charity that knows what it's doing, and sadly there are no shortage of crises around the world where this money can make a difference.

We don't need donations

We need you.

We need you to share the Facebook page, retweet the Tweets, tell people about this cool little project you've stumbled across online, and then when launch day comes (December 18th) bnrowse your way to our Bandcamp page and shell out £5 for what will be an album crammed with great tunes and unlike anything else you're likely to come across. One thing I've learned is how much raw musical talent these kids possess, and quite apart from the fundraising angle, I want to give them a chance to be heard.


Aren't you just a bit curious to hear this? #TUNEICEF