Friday, 19 October 2018
In Deep With.. The Whole Tone Scale (+ TUNEICEF plug & update)
Ploughing through the new tasks I'veset myself for this year, September has brought me to the whole tone
scale – this is arguably one of the core tonalities, alongside
major, minor and chromatic. As it's name suggests, this is a
symmetrical scale with each note a whole tone away from the next.
Viewed as a series of intervals, this
gives us:
R – tone – 2 – tone – 3 –
tone - #4/b5 – b6 – b7
This is a hexatonic (six note)
scale combining elements of both major and minor tonalities, and the
resulting sound is eerie – very cinematic. Examining it, it's
possible to see that this scale has no modes – it's symmetrical
nature, with each note a tone apart from every other note, means that
no matter where you start it from, you will always have the whole
tone structure.
Another curiosity is that there are in
fact only two whole tone scales: the E, F#, G#, Bb, C and D whole
tones are all exactly the same as each other, as are the F, G, A, B,
C# and Eb:
E – tone – F# - tone - G# - tone -
Bb – tone – C – tone – D
F# – tone - G# – tone - Bb –
tone - C – tone - D – tone – E
G# – tone - Bb – tone - C –
tone - D – tone - E – tone – F#
.. and so on.
Viewed from a chordal perspective,
there's only one type of chord that really lends itself to the whole
tone scale – the augmented. No matter where you start from, you
wind up with the pattern:
Root – two tones – 3 – two tones
- #5
E – G# - C E augmented
F# - A# - D F# augmented
G# - C – E G# augmented
A# - D – F# A# augmented
C – E – G# C augmented
D- A# - F# D augmented
The symmetrical nature of this scale
makes it very easy to map it across the fretboard using a simple
movable pattern:
Here using a speedy legato six note
pattern:
Played in 3rds:
Sequenced in 3s:
Sequenced in 4s:
This scale is a nice gear to change to
when you want something flat out weird, containing
major and minor elements, with the unsettling symmetrical elements
jarring the listener out of their comfort zone.
TUNEICEF
2018
It's
that time of year again – leaves are falling from the trees, the
temperatures are beginning to fall.. and my students and I are
embarking on the annual charity album! So far we've had a track
donated by the fantastic singer/songwriter Phil Matthews (aka The
Village: https://www.thevillage.me.uk/
) and the first student track by Paul Blount is up on our Bandcamp
page with a good few more hot on it's heels!
If you
want to get involved and help raise funds for UNICEF (not to mention
get your hands on a rather tasty little album), check out our
Bandcamp page: https://tuneicef.bandcamp.com/album/tuneicef-2018
and
our Facebook page: https://www.facebook.com/TUNEICEF/
- like, share, subscribe, and if you've got a track you'd like to
contribute then welcome aboard, the more the merrier!
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